Lookbook
Before the finish, before the cut — a scroll through the raw material we source, and the hands that turn it.
Hides, before anything happens to them
Cured and air-dried on open racks. Every hide is graded here — thickness, density, scarring — long before it sees a dye pit.
Colour, mixed by eye
No recipe cards. A dye master reads a vat the way a sommelier reads a glass — and adjusts by hand until it is right.
The tannery floor, at work
Hides turned, stretched, and hung by hand — the part of the process no photograph quite captures.
A hide, drying on the rack
Stretched over woven cane and left to the air. Nothing accelerates this stage — the hide sets at its own pace.
Finished, folded, waiting
Oxblood, forest, stone, and tan — cut to order and stacked by weight before they leave the floor.
Every hide carries its own record
Scars, growth lines, insect marks. We do not sand them out — they are how you know the grain is real.
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